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Adam D. Harris - Writer, Reviewer, Spoiler TV Community Manager & STV Podcast Host

19.6.12

Rock of Ages - Film Review



Tom Cruise; Rock God. Comparing Cruise to Bon Jovi or Jagger was never a position you would intend on finding yourself, but there is no denying his bold and daring take at breaking the "Tom Cruise Mould" is one that works on virtually every level. Stacee Jaxx may not look as rugged and washed up as the typical leading man of a rock and roll band, but he sure makes up for it in other ways. He sleeps, drinks and murmurs nonsense, and thing is for damned certain; he knows how to belt out a tune. Cruise, as it turns out, has a voice worthy of the role, and is undeniably the stand out performer of this adaptation of the Broadway musical of the same name.

Rock of Ages was always going to encounter several issues. It's eighties soundtrack undeniably has some belting tunes within it, but it doesn't have the connection with the audience that a collection of hits from one artist has. When Mamma Mia came out it drew huge attention to its Abba roots, as We Will Rock You does with Queen. There is no way a casual film-goer will know exactly what they're getting themselves in for in this case; there's no "name" to state exactly what sort of film this is. To call Rock of Ages a musical also doesn't connect the people with a passion for rock music with the people who typically like musicals. A broadway musical number doesn't often get mistaken for a Def Leppard track for example.

14.6.12

Prometheus - Film Review




Prometheus is undeniably the coolest title for a film yet this year, yet whilst it struggles to break barriers in the genres that both big sisters "Alien" and "Aliens" managed to do, it stands proudly above the lesser splatterings of the the current blockbuster season.

It isn't as clever as it thinks it is, but in many ways that isn't relevant. When you step back and view Prometheus for its own successes and failures and avoid the prejudices that Alien fanatics take in with them it has to be looked at in a positive light.

31.5.12

Snow White and the Huntsmen - Film Review




There is much of this darker telling of the classic Snow White story to like. Chris Hemsworth's accent isn't one of them. The slow and forgettable first half an hour isn't one of them either. What there is to like is that Kristen Stewart proves she has some gravitas in her arsenal and Charlize Theron proves that Summer 2012 belongs to her. More importantly, Snow White and the Huntsmen proves to be an imaginative, risk taking, epic and brave piece of film making which for the most part, works.

To begin it is worth noting that this is no ordinary fairy tale. Dark, brutal, wicked and full of muscle, Snow White and the Huntsmen is as dark as a child's tale can be taken without it becoming one for the grown ups. It takes parts of the tale and twists them on its head, adding in new characters, locations and plot points to make it feel more placed in a reality closer to our own past. It doesn't all work. It's need to differentiate its story from the Disney classic leads to a much too long prologue which fails to illuminate when Theron isn't on screen.

30.5.12

Men in Black 3 - Film Review



Whilst not as witty as both predecessors, Men in Black 3 still manages to find much more weight to its storyline than the second came close to finding and the first even attempted to find. It's a much more clever storyline, one which sees Will Smith's J having to go back to 1969 to stop the villainous Boris the Animal from eliminating Tommy Lee Jones' K.

Taking a leaf from Back to the Future, director Barry Sonnenfeld finds plenty of entertainment in this concept, putting J in a new partnership with a younger K played expertly and pitch perfect by Josh Brolin. Adapting Tommy Lee Jones' mannerisms to a tee, and mixing in some of his own charisma and youth, Brolin makes you forget that the original K isn't in much of the films running time so perfect is his performance.

Dark Shadows - Film Review



Dark Shadows is the proof that we have all "been there, done that" before. A collaboration between Tim Burton & Johnny Depp is becoming staple to the yearly blockbuster schedule, but it has never felt so tired as it does here.

The storyline is relatively simple at heart, where Depp's Barnabus Collins is cursed to become a Vampire and condemned to be be buried alive for two centuries. Upon returning he has to stop Eva Green's evil witch and return the Collins family to its former glory.

1.5.12

Half Nelson - Film Review


Whilst undeniably in touch with the life of inner-city schools, and boasting an excellent performance by Ryan Gosling, Half Nelson still feels like a lesser sum of greater parts.

Revolving around Gosling's Daniel Dunne, Half Nelson follows his life as he balances teaching a group of high school students and a drug addiction. Dunne is a troubled man; he is depressed, sad and lonely but manages to hide this behind his passion for history and his love of trying to help his students He is also a man who struggles to understand why he is so disconnected from the man he wants to be. It's a complex character study, and it required someone with Ryan Gosling's talents to pull off. Gosling is sublime, finding nuances and subtle details in Dunne's character which help the audience connect with him on his dark and troubling journey.

25.4.12

Away We Go - Film Review



As cuddly as the biggest teddy in a bear factory, Away We Go revels in the fact that its two main characters are so likeable it would be impossible not to fall for them. Burt and Verona are the dream of every relationship, one which is built on affection, devotion and love. It's also one that strives to find its place in the world, and the duo are questioning where life is taking them. It's something they need to work out soon, seeing as they have a baby on the way. When Burt's parents announce they are moving abroad, the pair decide to travel the country to find the perfect place to settle down.

23.4.12

The Avengers - Film Review



It can't be an easy task. Taking four of the biggest superheroes from Marvel's comic book universe and combining them together into an epic storyline which features a threat so big no superhero alone can tackle it.

The man tasked with attempting to do just this is Joss Whedon, who not only took on directing but also plays a huge part in the script of this years second big blockbuster. Should "The Avengers" have failed then Whedon would have taken a huge portion of the blame. The big questions were could he do four franchises justice whilst creating a fifth one in the process? Could characters like Robert Downey Jnr's extravagent Tony Stark work on screen together with the straight faced persona of Chris Evans' Captain America? Could Mark Ruffalo finally create a Hulk that lives up to his "incredible" title?

18.4.12

Battleship - Film Review


Whilst it packs plenty of punches, booming music and visually exhilarating explosions into its overlong running time, Battleship also encounters a bizarre sense of deja-vu. Whilst it is understandable that a film about ships fighting an alien race out at sea would feature similar action sequences throughout, it is so similar that you almost forget you haven't seen each sequence before at an earlier point. It's so one-tone that the two plus hour running time makes Battleship flounder too often.

16.4.12

Dead Poets Society - Film Review


A class of upper class students who are shown that they can make what they want of their lives through poetry classes is one that will be remembered as a pinnacle role in Robin Williams resume. Reigned in from his usual "crazy" persona Williams' John Keating is an inspirational teacher, whose love for poetry comes out through the expertly written script and Williams' controlled and touching portrayal. It really shows how accomplished and powerful Robin Williams can be, and when you link him up with a script that deservedly won the screenwriting Oscar you create something that will linger in your mind long after its final credits.

29.3.12

The Cabin in the Woods - Film Review


As a fan of a great horror, a film like The Cabin in the Woods always stood a chance of being a success. Yet, to truly pin down this film as horror would be a gross injustice to what is undeniably a surprisingly hilarious, bitterly dark, fantastically inventive and totally insane tribute to a number of genres. Its tagline so casually states that if "you think you know what's going to happen, think again." You've heard that a thousand times before, yet The Cabin in the Woods actually delivers on what it promises. As of this moment, you haven't seen a film like The Cabin in the Woods. That is a fact.

24.3.12

Philadelphia - Film Review


Philadelphia is a film that has a point to make and certainly isn't shy in tugging on the heart strings in making it. Tackling the issues of AIDS at a time when Hollywood shied away from the subject has earned it a place in film history and thankfully it is a worthy entry on its own terms as a film.

Led by an Oscar winning performance by Tom Hanks, Philadelphia's strengths as a story are played to perfection by its cast. Hanks deservedly got his first Oscar for the role of Andrew Beckett, playing a man who is slowly dying yet fighting for what he believed was a wrongful termination from his law firm due to his illness. Heartfelt and genuine, Hanks makes Beckett's descent towards an undeniable death tragic, graceful and emotional. Never overplaying the normalcy of the man Beckett is regardless of how people view his sexuality, illness or social position Hanks has made a character for the ages. He's just a man who wants to live, and live a normal life regardless of who he is behind his front door.

23.3.12

Good Will Hunting - Film Review


Just about the perfect feel-good film, it's a shame the pairing of Matt Damon and Ben Affleck haven't been able to create another masterpiece together in the fifteen years since.

Perfection with every word, each one thought out to create a prolonged effect and feeling on the viewer days after its credits roll; the script is the films ace. There are several life-changing moments for the characters, and several revelations about what certain characters mean to each other that you don't expect; every single one of them you go through the transition with. It's almost trying to teach you everything there is that's important in life and regardless of whether you knew it before it will make you feel like it's fresh.

22.3.12

The Hunger Games - Film Review


The Hunger Games isn't scared to translate the brutality of its subject matter onto the screen. It's at times quite violent, dark and bleak. It also is a very visually beautiful and thought provoking vision of a world driven to extremes by the very nature of being run by the human race. This is a world where the powerful make the poor fight to the death in a "game" of survival. Donald Sutherland's President claims it is all about keeping order, about controlling the power and about intimidating the Districts who once revolted against the government. It's much more than that though. As Stanley Tucci's Caesar presents the games like the Superbowl, it feels much more close to sport than a form of order. This being a sport which sees twenty-three people dead every single year.

It tinkers around with these grand questions; would the games continue if no one watches, how immoral is it to treat a human life so carelessly and what makes an individual feel no responsibility for the deaths when they can become part of a crowd. However it clearly doesn't want to answer them yet. There are still two more novels to tackle these questions. The Hunger Games is all about creating the world, and finding the important people within it.

New SpoilerTV Podcast - Discussing Which Shows We Would Save From Cancellation If We Could Only Choose Three


There's a new SpoilerTV Podcast up and ready for a listen. You can check it out HERE

Don't forget you can subscribe to the STV podcast on itunes HERE

In the podcast The ODI, CJ and Adam debate on what 3 shows should be saved if all shows were cancelled. We talk about the latest episodes of Awake, The Walking Dead and recap some of the latest TV and Movie News.

Our Weekly Topic: If all shows were cancelled which 3 would you save?
Imagine that in May all TV shows that have aired since August 2011 were all cancelled and you were told you could only save 3 shows to return in September. What 3 shows would you choose? The ODI, CJ and Adam debate (or argue) what shows they think deserve a 2nd chance. Some of the shows we argue over include: Awake, Chuck, Dexter, Doctor Who, Falling Skies, Fringe, Game of Thrones, House, Person of Interest, Sherlock, Supernatural, The Walking Dead and White Collar.

20.3.12

Safehouse - Film Review


I wish that brilliant acting, exciting action sequences and a gritty directoral vision were enough, but sadly Safe House falls so short in it's most vital area; the script.

Wafer thin, riddled with a set-up that is poorly executed, concluded or even explained the story is so blind in the belief that it is clever it's unforgivable. Mix in a twist so pain numbingly obvious you can see it coming within five minutes and it's clear the script is so poor it hurts like a fork to the eye.

18.3.12

21 Jump Street - Film Review


Undeniably the slickest, funniest and smartest comedy to hit cinemas in 2012, 21 Jump Street should also be the first real evidence that Channing Tatum has the talent his name has yet to become synonymous with.

A witty script by Jonah Hill and his team leads to a film which packs in plenty of big action sequences, hilarious set pieces as well as a lot of heart, and it's refreshing to see a team of comedians in their element and with material worthy of their talents.

14.3.12

The Notebook - Film Review


Even though I haven't done so previously, I'd quite like to store all my film reviews in one place, so I'll also be putting in old film reviews as I watch them/write them. Starting with "The Notebook."

The Notebook is a load of sentimentality wrapped so tidily in a bow that you can easily be forgiven for not anything more than the definition of tear jerker. However if you delve a little deeper you'll see two stars of their generation putting to shame many actors who have tried (and ultimately failed) at creating the true cinema romance. The beautiful Rachel McAdams' Allie will win over everyone watching, and Ryan Gosling shows with Noah more than just a spark of the acting icon he is surely becoming.

Sadly, it's bookended and littered throughout with a glance forward in time as Garner and Rowland's old couple tell Allie and Noah's story with a reading of the titular notebook. It fails to hold back the film's secret, becoming obvious early on exactly where this story is going, and McAdams and Gosling's chemistry isn't matched by their elders. I found myself dis-interested in these cut-aways, much preferring to see the "flashbacks" of the story and disappointed I could see the film's conclusion before I wanted too.

12.3.12

John Carter - Film Review


Unfortunately losing the "of Mars" from the title still couldn't hide the fact that the red planet's visuals are very dull and lacking in stimulating locations. Mix into the fold the fact that the film is filled with terminology that is difficult to follow and a shaky performance from Taylor Kitsch, and John Carter finds itself looking big but actually lacking in terms of quality.

It is a shame as the film has a great opening act as Carter finds himself hunted in the Wild West, but the humorous direction from Andrew Stanton is soon lost in a very serious, dark and gloomy middle section.

7.3.12

New SpoilerTV Podcast - Discussing Fringe, Game of Thrones, The Walking Dead, Awake and More...


Hey guys,

The latest SpoilerTV Podcast is live, and is well worth checking out HERE

We discuss the new show on NBC Awake and how we feel it is one of the best pilot episode in years. We talk about the latest episodes of The Walking Dead (2x11) and how we feel it finally has the pace we wanted. CJ catches up with Adam on his thoughts on the last episode of Fringe (4x14) and Person of Interest (1x16). We round-up the podcast with our thoughts on a few other shows (American horror story, The River, White Collar) and talk about the new Avengers Trailer.

23.2.12

2012 Oscars - Best Picture Nominee Ratings & Short Reviews

Hey guys,

I've finally managed to watch all nine of the best picture nominees for this Saturday's Oscars, and I have ranked them all below and written a short review on each. Let me know which ones you liked/didn't like and the reasons why as well.

I have to admit, this year hasn't seen as many "classic" films as we have had in recent years, but there are definitely a few worthy of a watch. They're in order of preference, so 1 is the best and nine is the worst.

1. The Artist
A magical, funny and timeless classic with exceptional performances from Dujardin and Bejo. In a year short on masterpieces, The Artist comes closest with a touching tribute to the old ages of film in a way which Hugo failed; it is full of love and heart. You'll find yourselves smiling throughout, and at times wishing you were alive during the times it so passionately takes you into. If there is any justice, The Artist will be the Best Picture winner. It deserves it. It is that good.

2.2.12

STV Podcast 24 - Fringe, Alcatraz, Person of Interest, Chuck and More...


As some of you may know, I am part of the SpoilerTV Podcast, and from now on I will be posting here the latest episodes from our series.

This week the SpoilerTV podcast team chat about the return of Fringe and Person of Interest, our first impressions of Alcatraz and Touch, CJ tries not to cry talking about Chuck Finle and we look at Golden Globe winners and Oscar nominations

This weeks podcast you can find here: http://bit.ly/STVPodcast24

You can subscribe to the podcast on itunes here: http://bit.ly/STVPodcast-itunes

The Girl With The Dragon Tattoo - Film Review


Over the past few years, there has been a constant threat of the US taking Stieg Larsson's best-selling novel, already converted into a decent thriller in its native Sweden, and making The Girl With The Dragon Tattoo a household name on the other side of the Atlantic. It was in fact almost a certainty to happen; how could they resist a story that certainty has proven its popularity in both print and a foreign language despite its incredibly dark subject matter.

This however, is no standard Hollywood remake. In many ways, as seen through eyes of Academy Award nominated director David Fincher, it scarcely appears to be an adaptation at all. So hard does he strive to find the originality and visual beauty hidden inside Larsson's text, it feels incredibly fresh and exciting to watch. The opening credits themselves are so eye catching, blood pumping and exciting that they alone are essential viewing...

30.1.12

Extremely Loud and Incredibly Close - Film Review


With a tricky topic to get the balance right, Extremely Loud and Incredibly Close describes itself as a film "not about 9/11, but about the days afterwards." This isn't strictly true, seeing as large chucks of Stephen Daldry's adaptation of Jonathan Safran Foer's novel take place during that day. "That worst day," as it is referred to by our leading character and narrator Oskar Schell, is in fact of vital importance to Extremely Loud and Incredibly Close,

As we begin you see the shot of a man falling towards the ground, intentionally out of focus. As we listen to the flapping of his jacket, Daldry sets up his world's importance to sound. He wants you to listen to the noises, a purposeful message to show exactly why Oskar, still a child, finds walking the streets of New York difficult all the months after. Fire engines constantly pass by, aeroplanes buzz overhead, car honk their horns and people talk, scream and shout in almost every scene. When we get odd moments of silence they are broken by Oskar, he carries a tambourine around always to disguise the sounds that remind him of his own personal experiences of 9/11.

26.1.12

Fringe - Some Thoughts On Season Four - Part One By A.D.Harris


(originally posted on spoilertv.com)
Folks of STV,

I've been very pressed for time over the past few months, and sadly the Fringe reviews of last season haven't materialised.

It's not through lack of trying, but as they have built up and up it reached the point where I decided they were more redundant than interesting. I sometimes have felt a little guilty when I think about the fact that I should be reporting on cross-universe dramas of the highest order. I somehow feel that even though Walternate hasn't had the time to give his thoughts on 'Novation', the rise of Lincoln Lee or the Observer's haunting words, perhaps he could be forgiven seeing as he is saving worlds. I on the other hand, am simply working hard at a routine job, celebrating Christmas and making sure I eat, sleep and am generally living a healthy life.